Noah Lewis







Cannon's Jug Stompers, with Lewis on the right


Noah Lewis (September 3, 1891 – February 7, 1961)[1][2][3] was an American jug band and country blues[4]musician, generally known for playing the harmonica.




Contents






  • 1 Life and career


  • 2 Death


  • 3 References


  • 4 Further reading





Life and career


Lewis was born in Henning, Tennessee, and learned to play the harmonica as a child. He moved to Memphis, Tennessee, in his early teens, where he met Gus Cannon in 1907. By that time he was already a respected original stylist on the harmonica, noted for his liquid tone and breath control, which allowed him to generate enormous volume from the instrument. By then he was also noted for his ability to play two harmonicas at once – one with his mouth and one with his nose, a trick he probably taught to Big Walter Horton, who recorded briefly as a teenager with the Memphis Jug Band some 20 years later. Lewis developed unusual levels of breath control and volume from playing in string bands and brass marching bands on the streets of Memphis.


At their meeting in 1907, Lewis introduced Cannon to the 13-year-old guitarist and singer Ashley Thompson, with whom Lewis had been playing in the streets of Ripley and Memphis for some time, and the three of them worked together over the next 20 years whenever Cannon was in Memphis and not away working medicine and tent shows. When Will Shade's Memphis Jugband recorded and became popular in the late 1920s, Cannon added a coal-oil can on a rack round his neck and renamed the trio (Cannon, Lewis and Thompson) Cannon's Jug Stompers. It was this lineup that made the Jug Busters' first recordings, for Victor Records, in Memphis on January 30, 1928.[2] The songs from that session included "Minglewood Blues", "Springdale Blues", "Big Railroad Blues" and "Madison Street Rag". By the time of the band's next recording, on September 5, 1928, Cannon had replaced Thompson with Elijah Avery on banjo and guitar. By the time of the band's third recording session, four days later, Avery had in turn been replaced with an old friend of Cannon's from the medicine and tent show circuit, the six-string banjo player and guitarist Hosea Woods. The band's lineup remained unchanged from then on. With the Jug Stompers, Lewis sang lead vocal and played a melancholy harmonica solo on "Viola Lee Blues".[5]


Lewis recorded four solo tracks and another four sides with the Noah Lewis Jug Band, consisting of Lewis, Sleepy John Estes (guitar) and Yank Rachell (mandolin), in 1930.[3]


His songs "New, New Minglewood Blues", "Viola Lee Blues", and "Big Railroad Blues" were in the repertoire of the Grateful Dead.



Death


Lewis died in poverty, of gangrene brought on by frostbite, in Ripley, Tennessee, in 1961.[2] He is buried in a cemetery near Nutbush, Tennessee.[6]



References





  1. ^ Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 238. .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"""""""'""'"}.mw-parser-output .citation .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .citation .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.svg/12px-Wikisource-logo.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
    ISBN 978-0313344237. Previously,
    his birth year was also reported as 1890 or 1895. 1891 is generally considered the correct year.



  2. ^ abc "Biography by Jason Ankeny". Allmusic.com. Retrieved September 3, 2011.


  3. ^ ab "Noah Lewis". Bluesnexus.com. Retrieved September 3, 2011.


  4. ^ Du Noyer, Paul (2003). The Illustrated Encyclopedia of Music. Fulham, London: Flame Tree Publishing. p. 181. ISBN 1-904041-96-5.


  5. ^ Barlow, William (1989). "Looking Up at Down": The Emergence of Blues Culture. Temple University Press. pp. 214–17.
    ISBN 0-87722-583-4.



  6. ^ A History of Tennessee Arts. University of Tennessee Press.




Further reading




  • Norris, Sharon (2000). Haywood County Tennessee. Black America Series. Mount Pleasant, South Carolina: Arcadia Publishing. ISBN 0-7385-0605-2.


  • West, Carroll Van; Duncan Binnicker, Margaret (2004). A History of Tennessee Arts. Knoxville: University of Tennessee Press. ISBN 1-57233-239-5.









Popular posts from this blog

Lambaréné

維納斯堡 (華盛頓州)

Mononymous person