Don Banks





Donald Oscar Banks (25 October 1923 – 5 September 1980) was an Australian composer of concert, jazz, and commercial music.




Contents






  • 1 Life and career


  • 2 Filmography


  • 3 References


  • 4 External links





Life and career


In the 1950s Banks was the secretary to Edward Clark, head of the London Contemporary Music Centre.[1]


He returned to Australia in 1972, as Head of Composition and Electronic Music Studies at the Canberra School of Music. He remained there till 1977, then had a series of educational positions. In 1978 he was appointed Head of the School of Composition Studies at the New South Wales Conservatorium of Music.[2]


Banks's best-known works include the Sonata da Camera for flute, clarinet, bass clarinet, piano, percussion, violin, viola, and cello (1961); a Horn Concerto (1965); a Trio for horn, violin, and piano (1962); and a Violin Concerto (1968).


He died at his home in the Sydney suburb of McMahons Point, after an eight-year battle with chronic lymphocytic leukaemia.[3] He left a widow, Valerie, and a son, Simon. The Don Banks Music Award, funded by the Australia Council for the Arts, is named after him



Filmography


Banks is credited for composing music in the following films:[4][5]




  • The Price of Silence (1959)


  • Murder at Site 3 (1959)


  • The Third Alibi (1961)


  • Captain Clegg (Night Creatures in U.S.) (1962)


  • Panic (1963)


  • The Punch and Judy Man (1963)


  • The Evil of Frankenstein (1964)


  • Crooks in Cloisters (1964)


  • Nightmare (1964)


  • Hysteria (1964)


  • The Brigand of Kandahar (1965)


  • Monster of Terror (Die, Monster, Die! in U.S.) (1965)


  • The Reptile (1966)


  • Rasputin the Mad Monk (1966)


  • The Frozen Dead (1966)


  • Torture Garden (1967)


  • The Mummy's Shroud (1967)



References


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General


  • Larson, Randall D. (1996), "Don Banks", Music from the House of Hammer: Music in the Hammer Horror Films, 1950-1980 (Volume 47 of The Scarecrow Filmmakers Series), Scarecrow Press, pp. 51–57, ISBN 9781461669845.mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}

Further reading


  • Banks, Don (1970). "Converging Streams". Musical Times 111, no. 1528 (June): 596–99.

  • Covell, Roger (1967). Australia’s Music: Themes for a New Society. Melbourne: Sun Books.


  • David Huckvale (2008), "Australian Menace: Don Banks and Malcolm Williamson", Hammer Film Scores and the Musical Avant-Garde, McFarland, pp. 133–153, ISBN 9780786451661


  • Randall D. Larson (1996b), "Don Banks Biographical Essay", Soundtrack Magazine, 15 (58)

  • Mann, William (1968). "The Music of Don Banks". Musical Times 109, no. 1506 (August): 719–21.

  • Sitsky, Larry (2011). Australian Chamber Music with Piano. Canberra: ANU E Press.
    ISBN 978-1921862403 (pbk);
    ISBN 9781921862410 (ebook).

  • Pressing, Jeff, John Whiteoak, and Roger T. Dean (2002). "Banks, Don(ald Oscar)". The New Grove Dictionary of Jazz, second edition, edited by Barry Dean Kernfeld, 3 vols. London: Macmillan Publishers.
    ISBN 9780333691892.

  • Toop, Richard (2001). "Banks, Don(ald Oscar)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.


Specific





  1. ^ Graham Hair, Musical Ideas, Musical Sounds: A Collection of Essays


  2. ^ Randall D. Larson, Music from the House of Hammer: Music in the Hammer Horror Films, 1950-1980. Retrieved 25 April 2016


  3. ^ Larry Sitsky, "Banks, Donald Oscar (1923–1980)", Australian Dictionary of Biography 13 (1940–1980, A–De), edited by John Ritchie and Christopher Cunneen (Carlton, Vic.: Melbourne University Press, 1993).


  4. ^ Michael R. Pitts, Columbia Pictures Horror, Science Fiction and Fantasy Films, 1928-1982, p. 256


  5. ^ Randall D. Larson (1996a), "Music Credits by Title", Music from the House of Hammer: Music in the Hammer Horror Films, 1950-1980 (Volume 47 of The Scarecrow Filmmakers Series), Scarecrow Press, pp. 169–176, ISBN 9781461669845




External links




  • Don Banks on IMDb

  • AMCOZ Web Profile

  • Don Banks Music Award

  • Music Australia: source the National Library

  • History of British and Australian innovation, includes Don Banks ideas and equipment

  • Biography of Don Banks










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